Archive for January, 2011

January 26th, 2011

LIVING IN A CLOSET…

 

FLORENCE'S HAT

 

My grandmother’s hat stays.

I will not let it go.

It speaks to me of Sundays.

It wonders where the white gloves went.

It must have come for Easter,

absorbing words of resurrection

in a church out on the plains,

made nervous by the wind,

for prairie winds are ruthless

with an appetite for hats.

It whispers of her small indulgence:

velvet flowers on a rim,

VELVET FLOWERS

 

pink and cream with eyes of pearls 

peeking out of navy netting.

It hides the place her hat pin pierced, 

anchored in unruly tresses.

It remembers things I never knew.

Tells me stories of her longing.

She left one finer piece of jewelry

and one long dress of mossy green,

a dozen worn and homemade aprons,

at least a hundred recipes,

and a small hat that looks odd on me.

I’m a child who’s grown too big.

I can’t dream about what I will be 

when I am all grown up.

Am I really all grown up?

I place it on my head again,

listening for what it says

of a time that wasn’t mine

and a woman we both knew.

ME, MYSELF & I

 

STEVE WINWOOD CURES INDIGESTION!

I got into this post-supper funk.  The ho-hum doldrums, like I’d eaten too much and that annoying why-do-anything-at-all feeling, but when I heard Steve wailing “Put On Your Dancing Shoes” that was all it took. His 1988 recording gives me a voice as passionate as Michael McDonald, but without the lyric’s whine.  I’m cured!

January 17th, 2011

ALEXANDER, SOPHIA, MABON MADONNA

I went with Jerry yesterday to enjoy GREAT’s production of “ALEXANDER & THE TERRIBLY HORRIBLE, NO GOOD VERY BAD DAY” presented at St. John’s University, which was really fun.  The set was one of my favorite elements. (www.greattheatre.org) It worked really well on their somewhat smaller stage.  I loved the gears painted in bright primary colors and whimsical overhead projections. See the pic to the right?

It shows the cast and crew dismantling it in the blink of an eye with power tools, fortitude and magic.  Jerry did live sound reinforcement and said the cast members were “a dream to work with.”  I found out there’s a lot of excitement about the upcoming production of my new musical, THE BROTHERS GRIMM, A MUSICAL ADVENTURE!  I better keep up the work on it, eh?

The day left me some time to experience ST. JOHN’S ABBEY.  Besides claiming “the largest stained glass window in the United States” it houses a carved sculpture called MABON MADONNA. 

 

MABON MADONNA

It’s a bit oriental in feel and stimulated a response in me similar to some statues of the Buddha.  I enjoyed sitting in its presence, feeling the serenity and singularity of purpose between the Madonna and her child.

I’ve continued to read ‘THE DANCE OF THE DISSIDENT DAUGHTER” by Sue Monk Kidd.  (Author of “The Secret Life of Bees”, www.suemonkkidd.com)  Kidd shares the profound impact that awakening to the presence of the “Sacred Feminine” had in her life.  It astonished me to uncover the context for a passage from the Old Testament that Jerry and I have used in our “POETRY OF THE DIVINE” service for some years.  (www.marienne.com/originaltheatricalworshipservices.php)

“The Lord created me at the beginning of his work.  When he established the heavens I was there.  When he marked out the foundations of the earth, I was beside him… and I was daily his delight.”

It is the voice of Sophia, or Wisdom, speaking of Herself.  She is the feminine face of the God of Israel.  The knowledge of Her has been all but obliterated.  This understanding opens up a deeper response within me to the text for which I am grateful.

ST. JOHN'S ABBEY

January 8th, 2011

QUEEN OF SLEAZE

 

High Bush Cranberries

 

In the depths of the iciness and beauty and brutality of winter I find myself remembering a night at the Kerrville Folk Festival down in Texas.  Once upon a time, many years ago…

Do you remember when we roamed that night with Merlin?

He led us on a merry chase, his band of gypsy thieves.

Drunk on midnight and Hill Country air

we crept from grove to grove, shadow inside shadow.

Our teeth glittered, eyes narrowed into slits. 

As ruthless as hyenas we sang and laughed and screeched.

Starlight giggled deep inside us as other humans tried to sleep.

We skittered through their campfires,

sanctified by ashes as they cursed.

Then I fell into a hammock slung from wild oak.

Obscene and rhythmic pulsings thrust my pelvis towards my lips.

Pure poetry of badness from the center of the blues.

I was ordained the Queen of Sleaze and I was proud and full.

We each in our own way made love to the night

and the audacity of wild space as Merlin waved his wand.

WHAT I’VE SEEN & READ LATELY:

THINGS THAT WERE ARE YET TO COME

 

A DVD of Bobby McFerrin called “Try This At Home” captures this skilled and fluent artist having pure fun with his voice while interacting intimately with his audience.  He’s literally crawling over the theatre seats to connect face-to-face, voice-to-voice to the delight of everyone present, although nobody’s having more fun than Bobby.   My thought?  It’s just what we’re doing here at the farm once a month at our women’s Moon Dance gatherings; not as performers, but as friends who come together to PLAY! using sound, movement, and prayer.  
 

I’ve been reading “The Dance of the Dissident Daughter” by Sue Monk Kidd, who is renowned for her book “The Secret Life of Bees.”  Kidd chronicles her transformation from a devoted and unquestioning Christian to a fuller, freer woman after a profound awakening of the sacred feminine within.  It feels like there’s a connection between the poem I wrote today, McFerrin’s concert, and Kidd’s book.  I think it has to do with really claiming what brings us more fully alive.  Sometimes that takes tremendous courage, and yes, audacity!